Heliographie, Przemek Zajfert, forever-and ever, for my Sons

Diese Texte erschienen auf medium.com. Es handelt sich um eine Auswahl zum Heliographie-Projekt 1827–2027. Weitere Texte sind auf meinem Account verfügbar: https://medium.com/@przemek.zajfert
These texts were published on medium.com. They are a selection related to the Heliography Project 1827–2027. More texts can be found on my account: https://medium.com/@przemek.zajfert
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Photography on Asphalt
Reconstructing Niépce’s First Photograph, Week by Week
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Das erste Foto, Heliographie hergestellt nach dem Verfahren von Joseph Nicéphore Niépce aus dem Jahr 1822/1826

What Asphalt Has to Do with the First Photograph
How I Spent Fifteen Years Recreating Niépce’s 1827 Heliography.
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Natural asphalt from Pyrimont — the material used to create the world’s first photograph.

When Light Meets Asphalt
Heliographs for My Sons — Light That Replaced Words
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When Light Meets Asphalt

The Story of the First Photograph
How Niépce’s Lost Image of 1824 Explains Our Present
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Niépce-Correspondance et papiers

From the First Photograph to Digital Simulation
A Journey Through the Image Worlds of Memory
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Joseph Nicéphore Niépce: “View from the Window at Le Gras” (1827). The world’s first permanent photograph. Collection: Harry Ransom Center, University of Texas at Austin.
The Spectrum of the Real Indexicality, Authorship, and the Limits of Photographic Knowledge, Heliography Project 1827–2027 read more
The Spectrum of the Real Indexicality, Authorship, and the Limits of Photographic Knowledge, Heliography Project 1827–2027
Photography is Dead — Long Live the Image: Google Street View and the last true photographs, materialized through the Heliography Project 1827–2027 read more
The Beginning, The pyramids and the pen, Heliography Project 1827–2027 Heliography “The Beginning, The pyramids and the pen”, Google Street View Photo – Great Pyramid of Cheops, June 2013. Handcrafted on aluminum with Niépce’s original 1822–1827 process using Bitume de Judée. Unique collector’s artwork.
A Conversation About an Old Photograph Before my mother’s memory fades, I’m writing down what the pictures cannot show read more
A Conversation About an Old Photograph Before my mother’s memory fades, I’m writing down what the pictures cannot show
A Photograph That Ages With Me My skin wrinkles — why should this photograph fare any better? read more
A Photograph That Ages With Me
What We Think We Capture in Photographs On language, time, and why a photograph tells us more about absence than presence. read more
What We Think We Capture in Photographs