Heliographie, Przemek Zajfert, forever-and ever, for my Sons
Diese Texte erschienen auf medium.com. Es handelt sich um eine Auswahl zum Heliographie-Projekt 1827–2027. Weitere Texte sind auf meinem Account verfügbar: https://medium.com/@przemek.zajfert
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Photography on Asphalt
Reconstructing Niépce’s First Photograph, Week by Week
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Das erste Foto, Heliographie hergestellt nach dem Verfahren von Joseph Nicéphore Niépce aus dem Jahr 1822/1826

What Asphalt Has to Do with the First Photograph
How I Spent Fifteen Years Recreating Niépce’s 1827 Heliography.
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Natural asphalt from Pyrimont — the material used to create the world’s first photograph.

When Light Meets Asphalt
Heliographs for My Sons — Light That Replaced Words
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When Light Meets Asphalt

The Story of the First Photograph
How Niépce’s Lost Image of 1824 Explains Our Present
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Niépce-Correspondance et papiers

From the First Photograph to Digital Simulation
A Journey Through the Image Worlds of Memory
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Joseph Nicéphore Niépce: “View from the Window at Le Gras” (1827). The world’s first permanent photograph. Collection: Harry Ransom Center, University of Texas at Austin.
The Spectrum of the Real
Indexicality, Authorship, and the Limits of Photographic Knowledge, Heliography Project 1827–2027
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The Spectrum of the Real Indexicality, Authorship, and the Limits of Photographic Knowledge, Heliography Project 1827–2027
Photography is Dead — Long Live the Image:
Google Street View and the last true photographs, materialized through the Heliography Project 1827–2027
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The Beginning, The pyramids and the pen, Heliography Project 1827–2027 Heliography “The Beginning, The pyramids and the pen”, Google Street View Photo – Great Pyramid of Cheops, June 2013. Handcrafted on aluminum with Niépce’s original 1822–1827 process using Bitume de Judée. Unique collector’s artwork.
A Conversation About an Old Photograph
Before my mother’s memory fades, I’m writing down what the pictures cannot show
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A Conversation About an Old Photograph<br /> Before my mother’s memory fades, I’m writing down what the pictures cannot show
A Photograph That Ages With Me
My skin wrinkles — why should this photograph fare any better?
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A Photograph That Ages With Me
What We Think We Capture in Photographs
On language, time, and why a photograph tells us more about absence than presence.
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What We Think We Capture in Photographs